Huwebes, Mayo 10, 2012


  A formal essay provides facts , knowledge, instructions to the reader. An informal essay is a composition which presents subjects relative to personal experiences.

 





The Will of a River
 
    By my wife’s ancestral home flows a river. For a dozen summers I have visited it, and almost every year I make an effort to trace its course back to its source in the neighboring hills; I do not consider my vacation there complete without doing this. In common with others streams of its kind, our river suffers much from the summer drought. I have seen it so shrunken that fish lay lifeless on the parched sand and gravel of its bed. But this summer I saw something I never had been sufficiently observant in other abnormally dry years, I am sure I could not have failed to notice the same thing earlier.
   
   One morning last April, in company with a student friend and also my elder son, I started out for the hill to spend the day by the rapids and cascades at a place called Intingasan. We followed the course of the river. After we had walked a kilometer or more, I saw that the river had disappeared and its bed was dry. I looked around in wonder because past our little country house below and out toward the sea half a mile or so farther down, the river was flowing clear and steady in its usual summer volume and depth. But where we stood at the moment there was no water to be seen. All about us the wide river bed was hot and dry.
    
   On the toward of the hills,we pursued our way on toward the hill, however, and walking another kilometer we saw the stream again, though it had spread itself so thin it was lost at the edge of the waterless stretch of burning sand and stones. And yet, continuing our way into the hills, we found the river grow deeper and stronger than it was as it passed by our cottage.
   
   To most people, I suppose, there is nothing strange or significant in this. Perhaps they have seen such phenomenon more than once before. To me, however, it was a new experience and it impressed me like all new experiences. To me it was not merely strange, it suggested a spiritual truth.
 
   Flowing down from its cradle in the mountains just as it left the last foothills, the river had been checked by long, forbidding, stretch of scorching sand. I had read of other streams that upon encountering similar obstacles irretrievably lot themselves in sand mud. But Bakong- because that is the name of our river- determined to reach the sea, tunneled its way, so to speak, under its sandy bed, of course choosing the harder and lower stratum beneath, until at last it appeared again, limpid and steady in its march to sea.
 
   And then I thought of human life. I was reminded of many a life that stopped short to its great end just because it lacked the power of will to push through hindrances. But I thought most of all those who, like our river, met with almost insurmountable obstacles but undismayed continued their march, buried in obscurity perhaps but resolutely pushing their way to the sea, to their life’s goal. I thought of men like Galileo, who continued his work long after his sight had failed; of Beethoven, who composed his nobles and sublimes symphonies when he could no longer hear a single note; of Stevenson, who produced some of his greatest works after he was doomed to die of tuberculosis; and of Cecil Rhodes, who was sent to Africa to die of an incurable disease, but before he obeyed the summons carved out an Empire in the Dark Continent. These resolute and sublime souls reminded me of what our river taught me- that if we cannot overcome obstacles, we can under come them.
 
   Another lesson I learned from Bakong is the fact that the river was not merely determined to flow just anywhere; it was determined to reach the sea, to the great end. Many streams manage to surmount barrier they meet along the way, but they come out of obstacles after much labor only to end in a foul and stagnant marsh or lake. How like so many human lives. How like so many people who, in the springtime of their youth and in the summer of their early manhood, showed splendid heroism against frowning odds, determined to overcome those hostiles barriers, only in the autumn of their lives to end in defeat, disgrace, and remorse. 
   On the other hand, think of other lives that, like our river, kept their way even to the end of their course.Bakong by continuing its march to the sea, kept itself fit for the service of nature and man; and not only that, it expanded its field of usefulness. And does this not suggest that the river of man’s life should be likewise?For if in the face of obstacles it lacks the strength of will to continue keeping itself fit to serve and seeking new opportunities for service, it will ultimately become useless to others.
 
   As I marveled at the power of Bakong to push its way through such a seemingly impassable barrier, I discerned the secret- a secret that has a message for all of us. For Bakong was able to carry on, to continue its watery pilgrimage and reach the immensity and sublimity of the sea only because its source is the vast and lofty mountains. Unless a stream draws its power form a source of sufficient high and magnitude, it cannot do as our river did this summer. It will not have the strength to cut its way through great obstacles and reach the sea at last. Here is one of the marvelous secrets of life, and how many have missed it! Verily, if a man derives his strength and inspiration from a low and feeble source, he will fall to ”arrive.” Unless man draws his power from some source of heavenly altitude, unless the stream of his life issues from a never-failing source, unless, in other words, his soul is fed from heights of infinite power, he may fear that he will not reach the sea. But if his spirit is impelled and nourished by an inexhaustible power from on high, he will, in spite of all obstructions, finish his course, if not in the glory of dazzling achievements, at least in the nobility of a completed task faithfully done.
  •  Life has its ups and down. We can handle difficult situations by facing it with all our might but not by ignoring such situations.We need to have patience, determination and faith in God no matter how hard the circumstances are, in order for us to overcome obstacles and to reach our goals.


Poetry is a literary form which comes in stanzas or groups of lines. These stanzas maybe in groups of two,three, or four. Poem is a creative way of presenting one's beliefs, desires and actions.




 
To the Philippine Youth

Unfold, oh timid flower!

Lift up your radiant brow,
This day, Youth of my native strand!
Your abounding talents show
Resplendently and grand,
Fair hope of my Motherland!

Soar high, oh genius great,
And with noble thoughts fill their mind;
The honor's glorious seat,
May their virgin mind fly and find
More rapidly than the wind.

Descend with the pleasing light
Of the arts and sciences to the plain,
Oh Youth, and break forthright
The links of the heavy chain
That your poetic genius enchain.

See that in the ardent zone,
The Spaniard, where shadows stand,
Doth offer a shining crown,
With wise and merciful hand
To the son of this Indian land.

You, who heavenward rise
On wings of your rich fantasy,
Seek in the Olympian skies
The tenderest poesy,
More sweet than divine honey;

You of heavenly harmony,
On a calm unperturbed night,
Philomel's match in melody,
That in varied symphony
Dissipate man's sorrow's blight;

You at th' impulse of your mind
The hard rock animate
And your mind with great pow'r consigned
Transformed into immortal state
The pure mem'ry of genius great;

And you, who with magic brush
On canvas plain capture
The varied charm of Phoebus,
Loved by the divine Apelles,
And the mantle of Nature;

Run ! For genius' sacred flame
Awaits the artist's crowning
Spreading far and wide the fame
Throughout the sphere proclaiming
With trumpet the mortal's name
Oh, joyful, joyful day,
The Almighty blessed be
Who, with loving eagerness
Sends you luck and happiness.

 
  • Dr. Jose Rizal encourages the Filipino youth to unfold and cultivate their own artistic talents, in writing the poem entitled “TO THE FILIPINO YOUTH”. He wanted the Filipino youth to use their abilities and skills to excel not only for their own success but also for the success of the country. Dr. Jose Rizal wanted the Filipino youth to develop their talents and use them to help those who are in need.
     
  • The Filipino youth are talented; what they need  is to hone these talents and use then not only for themselves but also for others in their society.



Epic is an oral tradition written in verse which is chanted or sung. It tells about the heroic deed or adventures of a person, usually supernatural. It validates the beliefs, ideals, or values of a people.


BIAG NI LAM-ANG (Life of Lam-ang) is pre-Hispanic epic poem of the Ilocano people of the Philippines.  The story was handed down orally for generations before it was written down around 1640 assumedly by a blind Ilokano bard named Pedro Bucaneg







                 BIAG NI LAM-ANG 

Don Juan and his wife Namongan lived in Nalbuan, now part of La Union in the northern part of the Philippines. They had a son named Lam-ang. Before Lam-ang was born, Don Juan went to the mountains in order to punish a group of their Igorot enemies. While he was away, his son Lam-ang was born. It took four people to help Namongan give birth. As soon as the baby boy popped out, he spoke and asked that he be given the name Lam-ang. He also chose his godparents and asked where his father was. 
After nine months of waiting for his father to return, Lam-ang decided he would go look for him.  Namongan thought  Lam-ang was up to the challenge but she was sad to let him go. During his exhausting journey, he decided to rest for awhile. He fell asleep and had a dream about his father's head being stuck on a pole by the Igorot. Lam-ang was furious when he learned what had happened to his father. He rushed to their village and killed them all, except for one whom he let go so that he could tell other people about Lam-ang's greatness. 

Upon returning to Nalbuan in triumph, he was bathed by women in the Amburayan river. All the fish died because of the dirt and odor from Lam-ang's body.

There was a young woman named Ines Kannoyan whom Lam-ang wanted to woo.  She lived in Calanutian and he brought along his white rooster and gray dog to visit her. On the way, Lam-ang met his enemy Sumarang, another suitor of Ines whom he fought and readily defeated.
Lam-ang found the house of Ines surrounded by  many suitors all of whom were trying to catch her attention.  He had his rooster crow, which caused a nearby house to fall.  This made Ines look out. He had his dog bark and in an instant the fallen house rose up again. The girl's parents witnessed this and called for him. The rooster expressed the love of Lam-ang. The parents agreed to a marriage with their daughter  if Lam-ang would give them a dowry valued at double their wealth. Lam-ang had no problem fulfilling this condition and he and Ines  were married.

It was a tradition to have a newly married man swim in the river for the rarang fish. Unfortunately, Lam-ang dove straight into the mouth of the water monster Berkakan. Ines had Marcos get his bones, which she covered with a piece of  cloth. His rooster crowed and his dog barked and slowly the bones started to move.  Back alive, Lam-ang and his wife lived happily ever after with his white rooster and gray dog.


   


  • Lam-ang is a mix of adventure and romance with exciting and unpredictable plot turns. The epic poem details the customs, culture, traditions, and beliefs of the per-Colonial Ilokano people. The story presents some of the qualities and values espoused by the ethnology-linguistic group–adventurous, hardy, and brave–as personified by the hero, Lam-ang.Lam-ang's life is full of trials and problems. He faced his problem without any hesitations. He is strong and he accepted the reality about his father's death and his life.
  • Bravery, when displayed positively, makes one honorable.


 A fable is a short, imaginary narrative that teaches as a useful lesson and  how to to live it out in life. The characters in a fable are usually animals that talk and act like humans.

The Monkey and the 
        Jellyfish 
The Palace of Rin Jin was at the bottom of the sea, and was so beautiful that no one has ever seen anything like it even in dreams. The walls were of coral, the roof of jade stone and chrysoprase, and the floors were of the finest mother-of-pearl. But the Dragon King, in spite of his wide-spreading Kingdom, his beautiful Palace and all its wonders, and his power which none disputed throughout the whole sea, was not at all happy, for he reigned alone. At last he thought that if he married he would not only be happier, but also more powerful. So he decided to take a wife. Calling all his fish retainers together, he chose several of them as ambassadors to go through the sea and seek for a young Dragon Princess who would be his bride.
At last they returned to the Palace bringing with them a lovely young dragon. Her scales were of glittering green like the wings of summer beetles, her eyes threw out glances of fire, and she was dressed in gorgeous robes. All the jewels of the sea worked in with embroidery adorned them.
The King fell in love with her at once, and the wedding ceremony was celebrated with great splendor. Every living thing in the sea, from the great whales down to the little shrimps, came in shoals to offer their congratulations to the bride and bridegroom and to wish them a long and prosperous life. Never had there been such an assemblage or such gay festivities in the Fish-World before. The train of bearers who carried the bride's possessions to her new home seemed to reach across the waves from one end of the sea to the other. Each fish carried a phosphorescent lantern and was dressed in ceremonial robes, gleaming blue and pink and silver; and the waves as they rose and fell and broke that night seemed to be rolling masses of white and green fire, for the phosphorus shone with double brilliancy in honor of the event.
Now for a time the Dragon King and his bride lived very happily. They loved each other dearly, and the bridegroom day after day took delight in showing his bride all the wonders and treasures of his coral Palace, and she was never tired of wandering with him through its vast halls and gardens. Life seemed to them both like a long summer's day.
Two months passed in this happy way, and then the Dragon Queen fell ill and was obliged to stay in bed. The King was sorely troubled when he saw his precious bride so ill, and at once sent for the fish doctor to come and give her some medicine. He gave special orders to the servants to nurse her carefully and to wait upon her with diligence, but in spite of all the nurses' assiduous care and the medicine that the doctor prescribed, the young Queen showed no signs of recovery, but grew daily worse.
Then the Dragon King interviewed the doctor and blamed him for not curing the Queen. The doctor was alarmed at Rin Jin's evident displeasure, and excused his want of skill by saying that although he knew the right kind of medicine to give the invalid, it was impossible to find it in the sea.
"Do you mean to tell me that you can't get the medicine here?" asked the Dragon King.
"It is just as you say!" said the doctor.
"Tell me what it is you want for the Queen?" demanded Rin Jin.
"I want the liver of a live monkey!" answered the doctor.
"The liver of a live monkey! Of course that will be most difficult to get," said the King.
"If we could only get that for the Queen, Her Majesty would soon recover," said the doctor.
"Very well, that decides it; we MUST get it somehow or other. But where are we most likely to find a monkey?" asked the King.
Then the doctor told the Dragon King that some distance to the south there was a Monkey Island where a great many monkeys lived.
"If only you could capture one of these monkeys?" said the doctor.
"How can any of my people capture a monkey?" said the Dragon King, greatly puzzled. "The monkeys live on dry land, while we live in the water; and out of our element we are quite powerless! I don't see what we can do!"
"That has been my difficulty too," said the doctor. "But amongst your innumerable servants you surely can find one who can go on shore for that express purpose!"
"Something must be done," said the King, and calling his chief steward he consulted him on the matter.
The chief steward thought for some time, and then, as if struck by a sudden thought, said joyfully:
"I know what we must do! There is the kurage (jelly fish). He is certainly ugly to look at, but he is proud of being able to walk on land with his four legs like a tortoise. Let us send him to the Island of Monkeys to catch one."
The jelly fish was then summoned to the King's presence, and was told by His Majesty what was required of him.
The jelly fish, on being told of the unexpected mission which was to be intrusted to him, looked very troubled, and said that he had never been to the island in question, and as he had never had any experience in catching monkeys he was afraid that he would not be able to get one.
"Well," said the chief steward, "if you depend on your strength or dexterity you will never catch a monkey. The only way is to play a trick on one!"
"How can I play a trick on a monkey? I don't know how to do it," said the perplexed jelly fish.
"This is what you must do," said the wily chief steward. "When you approach the Island of Monkeys and meet some of them, you must try to get very friendly with one. Tell him that you are a servant of the Dragon King, and invite him to come and visit you and see the Dragon King's Palace. Try and describe to him as vividly as you can the grandeur of the Palace and the wonders of the sea so as to arouse his curiosity and make him long to see it all!"
"But how am I to get the monkey here? You know monkeys don't swim?" said the reluctant jelly fish.
"You must carry him on your back. What is the use of your shell if you can't do that!" said the chief steward.
"Won't he be very heavy?" queried kurage again.
"You mustn't mind that, for you are working for the Dragon King," replied the chief steward.
"I will do my best then," said the jelly fish, and he swam away from the Palace and started off towards the Monkey Island. Swimming swiftly he reached his destination in a few hours, and landed by a convenient wave upon the shore. On looking round he saw not far away a big pine-tree with drooping branches and on one of those branches was just what he was looking for--a live monkey.
"I'm in luck!" thought the jelly fish. "Now I must flatter the creature and try to entice him to come back with me to the Palace, and my part will be done!"
So the jelly fish slowly walked towards the pine-tree. In those ancient days the jelly fish had four legs and a hard shell like a tortoise. When he got to the pine-tree he raised his voice and said:
"How do you do, Mr. Monkey? Isn't it a lovely day?"
"A very fine day," answered the monkey from the tree. "I have never seen you in this part of the world before. Where have you come from and what is your name?"
"My name is kurage or jelly fish. I am one of the servants of the Dragon King. I have heard so much of your beautiful island that I have come on purpose to see it," answered the jelly fish.
"I am very glad to see you," said the monkey.
"By the bye," said the jelly fish, "have you ever seen the Palace of the Dragon King of the Sea where I live?"
"I have often heard of it, but I have never seen it!" answered the monkey.
"Then you ought most surely to come. It is a great pity for you to go through life without seeing it. The beauty of the Palace is beyond all description--it is certainly to my mind the most lovely place in the world," said the jelly fish.
"Is it so beautiful as all that?" asked the monkey in astonishment.
Then the jelly fish saw his chance, and went on describing to the best of his ability the beauty and grandeur of the Sea King's Palace, and the wonders of the garden with its curious trees of white, pink and red coral, and the still more curious fruits like great jewels hanging on the branches. The monkey grew more and more interested, and as he listened he came down the tree step by step so as not to lose a word of the wonderful story.
"I have got him at last!" thought the jelly fish, but aloud he said:
"Mr. Monkey. I must now go back. As you have never seen the Palace of the Dragon King, won't you avail yourself of this splendid opportunity by coming with me? I shall then be able to act as guide and show you all the sights of the sea, which will be even more wonderful to you--a land-lubber."
"I should love to go," said the monkey, "but how am I to cross the water! I can't swim, as you surely know!"
"There is no difficulty about that. I can carry you on my back."
"That will be troubling you too much," said the monkey.
"I can do it quite easily. I am stronger than I look, so you needn't hesitate," said the jelly fish, and taking the monkey on his back he stepped into the sea.
"Keep very still, Mr. monkey," said the jelly fish. "You mustn't fall into the sea; I am responsible for your safe arrival at the King's Palace."
"Please don't go so fast, or I am sure I shall fall off," said the monkey.
Thus they went along, the jelly fish skimming through the waves with the monkey sitting on his back. When they were about half-way, the jelly fish, who knew very little of anatomy, began to wonder if the monkey had his liver with him or not!
"Mr. Monkey, tell me, have you such a thing as a liver with you?"
The monkey was very much surprised at this queer question, and asked what the jelly fish wanted with a liver.
"That is the most important thing of all," said the stupid jelly fish, "so as soon as I recollected it, I asked you if you had yours with you?"
"Why is my liver so important to you?" asked the monkey.
"Oh! you will learn the reason later," said the jelly fish.
The monkey grew more and more curious and suspicious, and urged the jelly fish to tell him for what his liver was wanted, and ended up by appealing to his hearer's feelings by saying that he was very troubled at what he had been told.
Then the jelly fish, seeing how anxious the monkey looked, was sorry for him, and told him everything. How the Dragon Queen had fallen ill, and how the doctor had said that only the liver of a live monkey would cure her, and how the Dragon King had sent him to find one.
"Now I have done as I was told, and as soon as we arrive at the Palace the doctor will want your liver, so I feel sorry for you!" said the silly jelly fish.
The poor monkey was horrified when he learnt all this, and very angry at the trick played upon him. He trembled with fear at the thought of what was in store for him.
But the monkey was a clever animal, and he thought it the wisest plan not to show any sign of the fear he felt, so he tried to calm himself and to think of some way by which he might escape.
"The doctor means to cut me open and then take my liver out! Why I shall die!" thought the monkey. At last a bright thought struck him, so he said quite cheerfully to the jelly fish:
"What a pity it was, Mr. Jelly Fish, that you did not speak of this before we left the island!"
"If I had told why I wanted you to accompany me you would certainly have refused to come," answered the jelly fish.
"You are quite mistaken," said the monkey. "Monkeys can very well spare a liver or two, especially when it is wanted for the Dragon Queen of the Sea. If I had only guessed of what you were in need. I should have presented you with one without waiting to be asked. I have several livers. But the greatest pity is, that as you did not speak in time, I have left all my livers hanging on the pine-tree."
"Have you left your liver behind you?" asked the jelly fish.
"Yes," said the cunning monkey, "during the daytime I usually leave my liver hanging up on the branch of a tree, as it is very much in the way when I am climbing about from tree to tree. To-day, listening to your interesting conversation, I quite forgot it, and left it behind when I came off with you. If only you had spoken in time I should have remembered it, and should have brought it along with me!"
The jelly fish was very disappointed when he heard this, for he believed every word the monkey said. The monkey was of no good without a liver. Finally the jelly fish stopped and told the monkey so.
"Well," said the monkey, "that is soon remedied. I am really sorry to think of all your trouble; but if you will only take me back to the place where you found me, I shall soon be able to get my liver."
The jelly fish did not at all like the idea of going all the way back to the island again; but the monkey assured him that if he would be so kind as to take him back he would get his very best liver, and bring it with him the next time. Thus persuaded, the jelly fish turned his course towards the Monkey Island once more.
No sooner had the jelly fish reached the shore than the sly monkey landed, and getting up into the pine-tree where the jelly fish had first seen him, he cut several capers amongst the branches with joy at being safe home again, and then looking down at the jelly fish said:
"So many thanks for all the trouble you have taken! Please present my compliments to the Dragon King on your return!"
The jelly fish wondered at this speech and the mocking tone in which it was uttered. Then he asked the monkey if it wasn't his intention to come with him at once after getting his liver.
The monkey replied laughingly that he couldn't afford to lose his liver: it was too precious.
"But remember your promise!" pleaded the jelly fish, now very discouraged.
"That promise was false, and anyhow it is now broken!" answered the monkey. Then he began to jeer at the jelly fish and told him that he had been deceiving him the whole time; that he had no wish to lose his life, which he certainly would have done had he gone on to the Sea King's Palace to the old doctor waiting for him, instead of persuading the jelly fish to return under false pretenses.
"Of course, I won't GIVE you my liver, but come and get it if you can!" added the monkey mockingly from the tree.
There was nothing for the jelly fish to do now but to repent of his stupidity, and to return to the Dragon King of the Sea and to confess his failure, so he started sadly and slowly to swim back. The last thing he heard as he glided away, leaving the island behind him, was the monkey laughing at him.
Meanwhile the Dragon King, the doctor, the chief steward, and all the servants were waiting impatiently for the return of the jelly fish. When they caught sight of him approaching the Palace, they hailed him with delight. They began to thank him profusely for all the trouble he had taken in going to Monkey Island, and then they asked him where the monkey was.
Now the day of reckoning had come for the jelly fish. He quaked all over as he told his story. How he had brought the monkey halfway over the sea, and then had stupidly let out the secret of his commission; how the monkey had deceived him by making him believe that he had left his liver behind him.
The Dragon King's wrath was great, and he at once gave orders that the jelly fish was to be severely punished. The punishment was a horrible one. All the bones were to be drawn out from his living body, and he was to be beaten with sticks.
The poor jelly fish, humiliated and horrified beyond all words, cried out for pardon. But the Dragon King's order had to be obeyed. The servants of the Palace forthwith each brought out a stick and surrounded the jelly fish, and after pulling out his bones they beat him to a flat pulp, and then took him out beyond the Palace gates and threw him into the water. Here he was left to suffer and repent his foolish chattering, and to grow accustomed to his new state of bonelessness.
From this story it is evident that in former times the jelly fish once had a shell and bones something like a tortoise, but, ever since the Dragon King's sentence was carried out on the ancestor of the jelly fishes, his descendants have all been soft and boneless just as you see them to-day thrown up by the waves high upon the shores. 



  •  A weak but smart like the monkey can be stronger than his foe the jellyfish. One shouldn't be daunted by the apparent strength or appearance of a stronger foe instead use one's intellect.
  • In times of danger, your wit can save your life.




Miyerkules, Mayo 9, 2012





       A Myth is a folk narrative which relates to the beginning of the world and of things, how the heavenly bodies came into being, how gods and goddesses, humans and plants were brought into existence. It explains the creation of the universe, the origin of the sun, the moon and the stars,the creation of the first man and woman, and the origin of the social classes.


     The ancient Filipino people had a concept of a powerful being responsible for the creation of the earth and everything on it.



                                                  
THE FIRST FILIPINOS
       The god Kaptan and his wife, the goddess Maguayen, lived in the sky.They had nothing to do there the whole day and so, they spend their time watching the earth below them.
       
      The earth was the only thing they could see from in the sky. It was the newest creation of the great god Pamulak Manobo. In the morning, Kaptan and Maguayen watched how the bright sun light up the earth. In the evening, they waited for the moon and the stars to come out. After sometime, Kaptan and Maguayen got tired of watching the earth. The brightness of the day and darkness of the night no longer fascinated them. Then they fell into the habit of qrguing about anything. Kaptan would say the wind had been warmer yesterday , and maguayen would reply that it was cooler. Sometimes, Maguayen would say the stars never looked as dull as the night before, and Kaptan would insist they did.

     Their silly arguments always led to a quarrel. But the couple always tried to settle their fight at the end of the day or else, how could they argue the next day if they were not friends again?

     One day, Kaptan and Maguayen had a serious fight. The day ended but they had not spoken to each other. Several days passed and still they had not reconciled.

     Then the great god Pamulak Manobo came to reconcile them, but the couple refused to talk to him. They would not even tell him what started the fight. It was not an argument about the wind or the stars. No one knew what the fight is all about. 

    Pamulak Manobo grew impatient with the two deities and decided to leave. " I have never seen gods more stubborn than either of you," Pamulak Manobo said. "From now on, don't come to me for help," the angry god added as he left.

     The following day, Kaptan woke up to find that his wife was gone. He had a feeling that she would never come back.

     He spent the following days in loneliness. He looked  around him and saw nothing but clouds. He looked down and felt lonelier when he saw the bare brown earth. He thought and thought of Maguayen. He remembered how they used to watch the earth below their sky-home.

    Kaptan realized that earth is a lonely place. Perhaps, that is why Maguayen and him were lonely. Kaptan had an idea . He picked up some seeds and some plant tubers then came down and planted them all over the earth.
  
    Everyday Kaptan watches his garden. He sent  rain to water the plants in the morning and soon, the seeds and tubers grew. A bamboo shoot stood out over the others. It was soon the tallest plant in the garden and it did not stop  growing. Kaptan watch it closely.

    One day, he saw the bamboo split open and a man and a woman came out of it. T he man was handsome and so strong so Kaptan called him Sikalak, the sturdy one. From the on, men have been called Si Lalaki or Lalaki, for short. On the other hand, the woman was a picture of loveliness so Kaptan called her Sikabay. Later, women were called Si Babaye or Babae.

   After that, Kaptan was seldom lonely. There were times when memories of Maguayen  would come back and he would long for her return.But the creatures on the earth amused him in those moments. They were so interesting that they made Kaptan forget his loss.


  • Kaptan and Maguayen wouldn't  be apart if they just trust each others thoughts and opinions. Their silly or nonsense arguments led their relationship at stake. Kaptan and Maguayen didn't think twice on the consequences that may happen if they continue their stupidity. Change is really a good thing for Kaptan because he created especial creatures. Creatures that later made him feel happy even though her wife Maguayen was gone.
  • Love without trust endangers relationship.


 





 COSMIC LOVE

          Cosmic Love  is the awesome title of my blog.Cosmic Love is a song by Florence and the   Machine, and the sixth single from the album Lungs. 
          
     For me, cosmic love is simply the song of the year.. Boom! If you want to know why I adored this awesome song and why it became the inspirational name of my blog. You better listen first because there's just no word can describe it.

                                           
                   
  
                                
                    
                    COSMIC LOVE (LYRICS)


A fallen star,  
Fell from your heart,  
And landed in my eyes, 
 
I screamed aloud, 
As it tore through them, 
And now it's left me blind, 

The stars, the moon, 
They have all been blown out, 
You left me in the dark, 

No dawn, no day, 
I'm always in this twilight, 
In the shadow of your heart, 

And in the dark, 
I can hear your heartbeat, I try to find the sound, 
But then it stopped, 
And I was in the darkness, 
So darkness I became, 

The stars, the moon, 
They have all been blown out, 
You left me in the dark, 
[ Lyrics from: http://www.lyricsmode.com/lyrics/f/florence_and_the_machine/cosmic_love.html ]
No dawn, No day, 
I'm always in this twilight, 
In the shadow of your heart, 

Ooooh (x8)

I took the stars from my eyes, 
And then I made a map, 
I knew that some how, 
I could find my way back, 

Then I heard your heart beating, you were in the darkness too, 
So I stayed in the darkness with you, 

The stars, the moon, 
They have all been blown out, 
You left me in the dark, 

No dawn, no day, 
I'm always in the twilight, 
In the shadow of your heart, 

The stars, the moon, 
They have all been blown out, 
You left me in the dark, (you left me in the dark)

No dawn, no day, 
I'm always in this twilight, 
In the shadow of your heart, 

Ooooh (x8)